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This was written in
2007
so is now very dated
Chapters |
When I got home I had the urge to make a machine-
I had played with my machine a bit but not with any enthusiasm. Now I wanted to do it. Getting out the machine and table was tricky but the knitting was so easy. It was another one of those things that I now realised had previously been so much effort I couldn’t be bothered to do it. Pushing that carriage had required huge amounts of stretch and effort and now it seemed to sail up and down with the slightest touch. Many more machine-
But this journey is much more about where hand-
When I was released from hospital my immune system had been virtually destroyed, to keep the new kidney working, and I was not allowed to mix with people outside my immediate family who had already been tested for any possible contagious infections. Shopping was banned for another two months so a little ingenuity was called for.
Do you remember all those balls of navy wool Mum bought nearly thirty years earlier? I still had them. I had a carrier-
Kaffe Fassett had appeared on the knitting scene and there was one technique that he used that was perfect for that navy. He called it the ‘Magic Ball’. If you haven’t heard of this technique, the ball is made by tying together short lengths of yarn and then knitting with the ball letting the colours fall randomly. Kaffe was all for using a large variety of toning colours in the ball but for me it was the ideal use for my navy. I did not need to send anyone to the shops. I had everything at my disposal in the stash of oddments I had collected over the years. Navy still features prominently in my work today and, although I have some very good conscious reasons for using it, I think my sub-
I don’t know whether any of Kaffe’s books were published at this time. I certainly didn’t have any but I had videoed his television series and was very taken with his Persian Poppy design. I studied this design on freeze-
This was wonderful. I could cope with two balls of wool provided there were no other complications. Persian Poppies relied on dramatic shapes and colour. No fancy stitches were needed. I couldn’t do many of the things I had done before but I felt I was back on my normal path. Another version of Persian Poppies followed. This time it had a grey background and poppies of deep reds and purples. Much of it was one particular shade, called maroon in those days. I don’t know where it came from but it had also been hanging around in crinkled balls throughout my childhood.
There were two other advantages to the Magic Ball technique. It cost nothing, because I was using up bits I already had, and I didn’t have to go out into crowded shops. Even when I was allowed back out into civilisation, there was no need to buy yarn. I was using up stuff I thought could never be used. There were odd hanks of 2 or 3 ply yarns but these could be used double, or treble and there would be no obvious difference. I basically worked in double knitting thicknesses but if the odd short length was thicker or thinner than the rest it would do nothing to affect the overall effect. Some truly horrible yarns were mixed into some of my magic balls. The most unlovely yarns can give a lift to more exciting things around them. I could use them all up and feel good about it. As you may have realised by now, I can’t bear to throw away anything that might ‘come in useful’ and at last they had found a use.
5b. HANGING BY A THREAD continued